Develop designs, concepts, and sample layouts based on knowledge of layout principles and aesthetic design concepts. ![]() Graphic Designer | ABC Design Agency | Portland, OR (2017 – Present).Proven ability to develop innovative and visually appealing designs to effectively communicate clients’ messages. Highly creative and multitalented Graphic Designer with 8+ years of experience in developing distinctive logos, brochures, websites, and other materials for print and digital media. Always go through the job description to identify each employer’s individual needs and requirements, and customize your resume to best match your skills and experiences with those needs.Sample Experienced Graphic Designer Resume for Inspiration Tailor your resume for each position and job you are applying for instead of submitting a “one size fits all” document. DON’T use the same resume for every job Graphic design work varies greatly, depending on the company’s needs.Limit your document to a single page, and concentrate on only the most desirable soft and technical skills you have as well as your best job accomplishments rather than a laundry list of work duties. DON’T make the resume too long Employers have enough resumes to read through already - don’t risk them losing interest in yours because it’s packed with too much unnecessary information.Add soft skills like these, along with others like excellent communication skills and being organized with workflows. DON’T forget to add soft skills Although graphic design work focuses on technical skills, intangible skills such as being detail-oriented or a team player also play an important role.Include training in areas such as Adobe Photoshop, Flash, Illustrator, PowerPoint, Dreamweaver and HTML, as well any project management training you’ve had. DO mention relevant certifications Adding certification and diploma courses you’ve completed that relate to graphic design show you’ve devoted the time and work into becoming an expert in the field.Instead of saying, “Was tasked with marketing material and UI content creation to showcase company brand image,” write “Designed marketing material and UI content to showcase company brand image.” DO use action-based verbs Incorporate action verbs to make your achievements more active.This is also an opportunity to make sure you haven’t missed out on any important details, or didn’t get specific enough with your skills, experiences and credentials. Run it through a spell-checker, and make sure you haven’t made any silly grammatical errors. ![]() Double-check your resume for errors before submitting it.
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![]() Run the installer either in the original disk or the download file to reinstall the program. Other popular apps include Sonic the Hedgehog, Donkey Kong, Legend of Zelda, Pac-Man, and many more. In such circumstance, reinstalling DX-Ball 2 1.3 may do the trick. If you're a big fan of Mario Brothers, check out the many" Retro Game" style wallpapers available for your computers and gaming systems. The full version of the rehab mode allows you to select from an array of over 50+ themes. Enjoy it in-game by downloading the demo or purchase the full version to continue enjoying endless play and endless creations. ![]() Get the full version to get the most of DX-Ball 2. If you prefer to test your mettle with a challenging mode, try the advanced version of the DX-Ball 2 paddle battle! With just the touch of a button, the screen will transform and become a playground for you to unleash your inner creativity. In Easy mode, players can select from the huge selection of backgrounds available with no worries about memory or getting the right code. Get the latest version to enjoy two fun modes - Easy and Advanced. Find out more about this new version of the popular DX game: The "FX Ball" can be used to make walls turn black, create shadows, and produce special effects such as jump-cuts and reflections in real time. ![]() These backgrounds include popular film, cartoon, and game character icons, as well as real world locations such as cities, landmarks, beaches, roads, landmarks, and more. In the new and improved version of the DX-Ball, players are now able to select from a wide selection of computer-generated backgrounds. ![]() Vance's wife was not pleased with the idea that her husband was going to be with Caroline South, on a ship two weeks out of three, where she would be living in an unfamiliar city on her own. ![]() ![]() Vance released a handful of singles "You Must Be the One", A-covers of Herman's Hermits', 'Silhouettes' and a cover of The Rolling Stones, "Off the Hook". ![]() On 3 January 1966, Vance presented his first show on Caroline South his slogan was "TV on radio" and used Jack Costanzo's version of the "Naked City Theme" as his signature tune. Bill Hearne hired Vance for Radio Caroline South, where his colleagues included Johnnie Walker, Dave Lee Travis, Tony Blackburn and Emperor Rosko. Vance returned to the UK in 1965 just before Christmas with British musician Ian Whitcomb who lent him the fare. For the next several months Vance filed occasional phone-in reports for KHJ covering the British music scene. However, America was then involved in a war in Vietnam and when Tommy got his draft papers for the US Army, he decided it was time to head back to the UK. KHJ was one of the most successful and influential Top 40 stations of the era and California in 1965 was a great place to be. He got into a pay dispute with KOL and quit and went on to voice his displeasure on rival KJR where he co-hosted for a few days with KJR's prime time jock Pat O'Day.įrom there Vance moved to Los Angeles where he was offered a show by programming consultant Bill Drake on KHJ radio (aka Boss Radio), holding the evening 9-midnight airshift at KHJ for a few months in late 1965. I said, for that kind of money you can call me what you like, mate". The programme had originally been intended for another presenter who had pulled out of the deal at the last moment, the jingles and pre-launch publicity could not go to waste continuing under the name "Tommy Vance", "The station asked if I would take the name as they had already made the jingles for him. Moving to Vancouver in pursuit of his first wife, Fern, in 1964, he joined KOL Seattle as its prime drive-time jock. He joined the Ulster Bridge Repertory Company, run by the actor James Ellis, as a stage manager. Unable to find an opening in British radio he enrolled at a Northern Irish college, becoming a part-time actor/stage hand. When Vance returned to the UK, he worked as a mechanic for a jukebox company so that he could hear music for free. He had been brought up on the British broadcasting of the 1950s and, like a number of his contemporaries, fell in love with the brash sound of American commercial radio. It was while docked in New York, listening to US radio, that Vance first toyed with becoming a disc jockey. He joined the merchant navy in 1956, aged 16, as a cabin boy. Early life īorn Richard Anthony Crispian Francis Prew Hope-Weston in Eynsham, Oxfordshire, on 11 July 1940, his grandmother owned a travelling repertory company, his father was an electronics engineer, and his mother a former singer and dancer.Įxpelled from school at 15 for truancy, Vance got his first job as trainee manager at the Hyde Park Hotel, London. His voice was heard by millions around the world announcing the Wembley Stadium acts at Live Aid in 1985. He used a personal tag-line of "TV on the radio". The Friday Rock Show that he hosted gave new bands airtime for their music and fans an opportunity to hear it. Vance was one of the first radio hosts in the United Kingdom to broadcast hard rock and heavy metal in the early 1980s, providing the only national radio forum for both bands and fans. He was an important factor in the rise of the new wave of British heavy metal (NWOBHM), along with London-based disc jockey Neal Kay, in the late 1970s and early 1980s. Richard Anthony Crispian Francis Prew Hope-Weston (11 July 1940 – 6 March 2005), known professionally as Tommy Vance, was an English radio broadcaster. Top of the Pops, Dumber and Dumber, The 11 O'Clock Show, The Nightfly and The Friday Rock Show (VH1) The multi-pocketed design has a place for all your workday essentials - front pockets fit flashlights and multi-tools, expandable front pocket holds accessories, keys and batteries while multiple interior pockets stash items like pens, credit cards and IDs The Nize Ize Clip Pock-Its XL Utility Holster conveniently measures 7.25” x 4.59” x 1.78” (184.15mm x 116.59mm x 45.31mm) and weighs 3.28 oz (93g).Ĭlip Pock-Its XL Holster carries your mini flashlight multi-tool and a few of your other smaller necessities as well-conveniently and dependably. super strong Pock-Its XL Utility Holster is a reliable and convenient way to carry your flashlight, multi-tool and other small accessories right where. ![]() It fits belts, waistbands and straps up to 2.375” wide. ![]() This tool holder clips securely to your belt or waistband using the trusted Nite Ize super-strong, over-and-under clip. Whether you are a pro needing a small tool pouch or waist bag, or a DIY-er tackling to-do lists around the house, you'll find this to be essential. Made of durable, weather-resistant materials and backed with a strong secure clip, it stands up to frequent wear and tear. Our popular, super strong Nize Ize Clip Pock-Its XL Utility Holster is a reliable and convenient way to carry your mini flashlight, multi-tool and other small accessories right where you need them. JUST THE RIGHT SIZE - The Nize Ize Clip Pock-Its XL Utility Holster conveniently measures 7.25” x 4.59” x 1.78” (184.15mm x 116.59mm x 45.31mm) and weighs 3.28 oz (93g), the perfect size to keep the essentials you need at your hip, without extra bulk.Stands up to frequent wear and tear, whether you are a pro needing a small tool pouch or waist bag, or tackling to-do lists around the house Nite Ize Sport Case Mobile Device Holster SCP-03-17 Currently Unavailable. Nite Ize NMP-03-01 Multi Pock-Its Flashlight and Utility Holster w/ Belt Clip Currently Unavailable. ![]()
You might need to remind yourself this every few minutes or so.īeyond the standard graphical improvement, the developers put an increased focus on some specific aspects of the gamplay. A good thing.) You know, just like in real basketball. (That was the case in NBA 2K11 as well, but it feels a little more natural this time around. ![]() Or you can’t just lazily toss a pass through traffic and expect it to magically fly through a bunch of defenders’ limbs. If you’re controlling an off-the-ball defender and knock into a separate player, it actually looks like what transpires when one guy runs into another guy. So you can’t do things like, say, run one player right through another. It’s probably the smoothest hoops game yet, as players glide around the floor effortlessly, but the realistic physics of the gameplay that a user-specifically one familiar with the game of basketball-would want are maintained. NBA 2K12 is no exception, it succeeds in doing so. I played both NBA’s Greatest mode and the standard Quick Play mode today, and here’s some of what I learned:Įach year, the newest version of a video game series-any series, really-aims to improve on the basic visual graphics of the previous year’s version. And though last year’s version included a Jordan Challenge, giving the user an opportunity to recreate all of Money’s biggest games, 2K12 has an “NBA’s Greatest” mode, in which the user can play as one of 15 classic NBA squads-each led by a different legendary superstar-against a rival team of the same era. Here’s what I knew going in: While Michael Jordan graced the front of NBA 2K11, MJ, Magic Johnson and Larry Bird will all get their own covers of 2K12. ![]() Given the status of the (actual, real-life) League, video game hoops may be the only NBA ball fans will get to experience for a while, so the anticipation around this year’s release-NBA 2K12, which drops officially on October 4, 2011-feels a little extra special. By Adam Figman | cut right to the chase: With the assistance of the good folks at Access Communications, I was given the opportunity to play the newest iteration of the NBA 2K series today. ![]() While specific figures haven’t been released, Kinnaman has referred to it as “a world that’s got a bigger budget than the first three seasons of Game of Thrones” and from the outset it’s on flashy display. He’s given an unlikely option: he can spend the rest of his life behind bars or help solve the “murder” of Earth’s wealthiest man.Įven those who don’t connect with the first episode of Altered Carbon will find it hard to fault the sheer ambitious scale of it all. Takeshi Kovacs is a violent mercenary who wakes up 300 years after his sleeve is killed to find the world a very different place and himself in a very different body, that of the House of Cards and The Killing actor Joel Kinnaman. It’s a development that turns bodies into mere “sleeves” and so a traditional death just means movement from one bag of flesh to the next. It’s an adaptation of Richard Morgan’s cyberpunk novel Altered Carbon, set in a future where our minds are stored on “stacks”, discs that live in the back of our necks. This makes Netflix’s latest offering an intriguing gamble. The success of more grounded shows like Black Mirror and The Man in the High Castle offers further proof of what a wider audience actually wants to see. Unless it benefits from tried and tested franchise recognition (hello Star Wars), ambitious, universe-building science fiction is unlikely to break out beyond hardcore fans. Its failure, taken along with dismal box office results for Valerian and Blade Runner 2049 last year, also indicates a larger genre problem. ![]() ![]() What makes it even sweeter is that The Accountants Growth Club has been. "The vehicle MOT also expired in March and the Tax expired in August 2022. Home > Office Directory > Division of Workforce Services > Workforce Programs > State Rapid Response Program > WARN Notices. How do you stop scaring your team with your plans for growing your practice. Facebook ’s revenue for the second quarter of 2021 jumped 56, to 29.08 billion, while its net profit doubled to 10.4 billion smashing analyst. News medias : Facebook Inc said on Wednesday it expects revenue growth in the third and fourth quarters to 'decelerate significantly,' sending the social media giant's shares down about 5 in extended trading. "The driver chose to ignore the letter and continue using the vehicle uninsured," the OPU team reported on its page on Facebook. In the tech world, the big keep getting bigger. It emerged that the car was subject to an ongoing sting, code-named 'Operation Tutelage', where uninsured vehicles are identified and the owners written to and advised their vehicle has no Insurance cover. Members of Warwickshire Police's Operational Patrol Unit (OPU) stopped the car just off the Cock and Bear bridge. It is also on the offensive to attract top social media personalities and their fans, competing with platforms like Alphabet’s YouTube and short-video app TikTok, which recently. An Audi A4 driver who ignored a police warning had their car seized in Nuneaton. facebook warns growth to decelerate mandates update Facebook said this month it would invest more than 1 billion to support content creators through the end of 2022. In this context, there are lots of different contextual layers, and queries for these layers or between these contextual layers for too many similar and possibly different search intents.
![]() If you have questions (or answers) that are not necessarily bugs/issues, please post them to the forum. Check out this wiki if you’re interested. There are many ways to contribute to Tone.js. Passing builds on the ‘dev’ branch are published on npm as Contributing Each commit and pull request is run on Travis-CI across browsers and versions. For example, you can have sinus, pulses, impulses, linear sweep, logarithmic sweep, white noise, sin bursts, sawtooth waveforms. Tone.js runs an extensive test suite using mocha and chai with nearly 100% coverage. Tone is a free and useful signal generator software for the Windows operating system that allows you to make signals with a frequency of 2 to 20 kHz with different waveforms. This wiki article has some suggestions related to performance for best practices. Tone.js makes extensive use of the native Web Audio Nodes such as the GainNode and WaveShaperNode for all signal processing, which enables Tone.js to work well on both desktop and mobile browsers. To use MIDI files, you’ll first need to convert them into a JSON format which Tone.js can understand using Midi. I used to work as a freelance English-Polish translator and this page used to contain. Russian keyboard, Spanish keyboard, Greek keyboard, math keyboard, IPA keyboard, etc. In this case, the odd numbered sliders produce the rising tones, and the even numbered sliders produce the falling tones. The Shepard Tone is an auditory illusion, whose pitch sounds like it is ascending or descending, yet never seems to get any higher or lower. Or set your own AudioContext using tContext(audioContext). If I was a gambling man, I’d say you’re looking for one of my websites: Online Tone Generator generate audio signals of any frequency. This brain-melting generator came from a users request for a Shepard Tone generator. The AudioContext can be accessed at ntext. Tone.js creates an AudioContext when it loads and shims it for maximum browser compatibility using standardized-audio-context. rampTo ( " C2 ", 2 ) // start the oscillator for 2 seconds osc. value = " C4 " // ramp to "C2" over 2 seconds osc. The API is similar to the monophonic synths, except triggerRelease must be given a note or array of notes.Ĭonst osc = new Tone. To create a polyphonic synthesizer, use Tone.PolySynth, which accepts a monophonic synth as its first parameter and automatically handles the note allocation so you can pass in multiple notes. There are numerous synths to choose from including Tone.FMSynth, Tone.AMSynth and Tone.NoiseSynth.Īll of these instruments are monophonic (single voice) which means that they can only play one note at a time. Use this time value to schedule the events. Since Javascript callbacks are not precisely timed, the sample-accurate time of the event is passed into the callback function. start () // ramp up to 800 bpm over 10 seconds Tone. start ( " 8n " ) // the loops start when the Transport is started Tone. toDestination () //play a note every quarter-note const loopA = new Tone. toDestination () const synthB = new Tone. Create different frequencies, drive insects away or compare your hearing ability with your friends and relatives and share your results Or watch others straining their ears to find the sounds that cannot locate you. create two monophonic synths const synthA = new Tone. ![]() Usually I only want to load 10 or 20 thousand rows. My thoughts… 45 seconds is not unreasonable. The general consensus is that it’s “unreasonable” to do so. I’d be amazed if you could load up 3.5 million rows with nine columns into a XOJO listbox in a reasonable amount of time (if at all). That said…I compare it to the local compiled XOJO app and find the regular listbox a bit on the pokey side also…though it does offer quite a few features and it takes a while to set all those individual cell properties I’m sure. Still I’ve been a little disappointed that the performance of loading up a web listbox does not seem to be constrained by the data transport…rather by the process the framework uses to load the data into and render the control seems abnormally sluggish. The web listbox control is constrained to the browser after all. I built a listbox and pagination control that allows me to move back and forth though a file a configurable number of rows at a time (100, 250, 500, 1000) …or jump to any position in the rows set. Oh yes…for the web (which is this thread after all) I don’t recommend sending back too many rows. This puppy could load up 10,000 rows in a blink. As soon as I open a different table it dropped all the memory and then grew based on the size of the new table. Sure…it went up by enough where I assume they sucked the whole table into memory (about 150 MB)…but that’s what I expected. I was watching the memory pressure when this large grid opened. Ok…so does anyone really need 3.5 meeeelion rows in a grid? Not generally…but our tech ought to be able to handle it. Yowza! BIg Iron? Nope… Macbook Pro 1.53 GHz Intel Core 2 Duo with 4 GB Ram. The resulting scroll window worked incredibly smooth and scrolled like greased lightning. ![]() It did so without complaining…and only took 45 seconds (during which I got a nice progress meter). Then I asked it to open a table with 3,627,006 rows (each row has nine fields…nothing too complex…but a reasonable amount of data per record. I opened up a 1.77GB database file in a flash (it displays all the table names and their record counts), which is probably easy enough because I’m sure all that info is simply part of the MDB file structure. We are currently planning to ship this updated Web framework in Xojo 2023r2. Bootstrap continues to improve and as a result we are working to upgrade the Web framework to the latest version. What good are all these CPU cycles and gigabytes of Ram if I can’t do something so “simple” as open and view (scrub through) a large delimited file. Bootstrap is the toolkit the Xojo Web framework uses to create the UI controls for your web projects. ![]() My thought has always been…if I need to load up a small (in some cases 50MB) delimited file to just view a a delimited file in something besides “TextEdit” there ought to be a way to do it. One that could handle “lots of rows” without going ape. Ok…this is far and away from “Web” - but I’ve been looking for a real high performance listbox for a while. |
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